JUDGMENT BY YAMA; HEAVEN AND HELL , angkor wat

JUDGMENT BY YAMA; HEAVEN AND HELL,,,

Judgement of Yama Gallery is a panel of bas-relief on the southeast section of Angkor Wat. The theme of the Judgement of Yama gallery is the judgement of the souls, and whether they are sent to heaven or to hell. 

 

Description JUDGMENT BY YAMA; HEAVEN AND HELL

 This gallery is 66 meters long, significantly shorter than the preceding Army of Suryavarman II gallery. That's because the temple's enclosures are not perfect squares, but rectangulars with the centre set closer to the east. The ceiling of this gallery has been restored to give present-day visitors an idea how it originally looked like over eight hundred years ago. It was reconstructed based on a small piece of wood found here.

 

 Three tiers recount the judgment of mankind by Yama and two tiers depict Heaven and Hell. Inscriptions have identified 37 heavens where one sees leisurely pursuits in palaces and 32 hells with scenes of punishment and suffering. Draperies and Apsaras separate the two and a row of Garudas borders the tier in the bottom. The roof was destroyed by lightning in 1947 and subsequently the ceiling of this gallery was restored by the French. Traces of gilt can be on riders on horses at the beginning of the panel. The lower section of the panel was badly damaged and liter filled with cement.

Lower tier: Yama, the Supreme Judge (multiple arms, wields a staff and rides a buffalo), points out to his scribes the upper road representing heaven and the lower one of hell. Departed spirits a wait judgment. Assistants to Yama shove the wicked through a trap door to the lower regions where torturers deliver punishments such as sawing a body in half for those who overeat. Lawbreakers have their bones broken. Some of the punished wear iron shackles or have nails pierced through their heads. Upper tier: A celestial palace is supported by a frieze of Garudas with Apsaras in the skies.

 

LAYOUT , angkor wat

LAYOUT

The general appearance of the wonder of the temple is beautiful and romantic as well as impressive and grand it must be seen to be understood and appreciated. One can never look upon the ensemble of the vat without a thrill, a pause, a feeling of being caught up onto the heavens. Perhaps it is the most impressive sight in the world of edifices.

 

Description of :

 

Angkor Wat occupies a rectangular area of about 208 hectares (500 acres) defined by a laetrile wall. The first evidence of the site is a moat with a long sandstone causeway (length 250 meters, 820 feet; width 12 meters, 39 feet) crossing it and serving as the main access to the monument. The moat is 200 meters (656 feel) wide with a perimeter of 5.5 kilometers (3.4 miles).
The west entrance begins with steps leading to a raised sandstone terrace in the shape of a cross at the foot of the long causeway. Giant stone lions on each side of the terrace guard the monument. Looking straight ahead, one can see at the end of the causeway the entry gate with three towers of varying heights and with collapsed upper portion. This entry tower hides the full view of the five towers of the central group. A long covered failure with square columns and a curved roof extends along the moat to the left and right of the entry tower. This is the majestic facade of Angkor Wat and a fine example of classical Khmer architecture.
History of LAYOUT :

In the 1920 when RJ Casey walked on this causeway he noted it was an oddity of engineering The slabs were cut in irregular shapes, which meant that each had to be chiseled to fit the one adjoining. The effect as seen under the noonday sun...is like that of a long strip of watered silk'10 On the left side just before the midway point in the causeway two large feet are carved in a block of sandstone. They belong to one of the figures at the entrances to Angkor Thom and were brought to Angkor Wat in this century the causeway was repaired with reused stones.
The upper portions of the three sections on this tower-one each at the center and the two ends – have collapsed. The porches on each end of the gallery may have served as passages for elephants, horses and carts as they are on ground level.
When Helen Churchill Candee saw these entrances in the 1920 she remarked that architecture made to fit the passage of elephants is an idea most inspiriting. A figure of a standing Visnu (eight arms) is in the right inside the entry tower. Traces of original color can be seen on the ceiling of the entry tower at the left. Continue westward along a second raised walkway (length 350 meters, 1,148 feet; width 9 meters, 30 feet).
A low balustrade resembling the body of a serpent borders each side. Short columns support the balustrade. Looking west one sees the celebrate view of Angkor Wat that appears on the Cambodian flag. Standing at this point one teels compelled to get to the wondrous group of the five domes, companions of the sky, sisters of the clouds, and determine whether or not one lives in a world of reality or in a fantastic dream. Six pairs of ceremonial stairs with platforms on each side of the walkway lead to the courtyard.

The symbolism of Angkor Wat , angkor tourism

The symbolism of Angkor Wat,,,

 Angkor Wat is a miniature replica of the universe in stone and represents an earthly model of the cosmic world. The central tower rises from the center of the monument symbolizing the mythical mountain, Meru, situated at the center of the universe. Its five towers correspond to the peaks of Meru. The outer wall corresponds to the mountains at the edge of the world, and the surrounding moat the oceans beyond.

 

 Symbolism wat :

 Angkor Wat is a microcosm of the Hindu Universe in stone and represents an earthly model of the cosmic world. The moat represents the mythical oceans surrounding the earth and the succession of concentric galleries represents the mountain ranges that surround Mount Meru, the home of the Gods. The towers represent the mountain’s peaks and the experience of the ascent, to the central shrine is, may be intentionally a fairly convincing imitation of climbing a real mountain.

 combodia vishnu :

 

 The headgear was shaped differently from that adorning deities in south India. A few flowers were placed at the foot and a middle-aged woman with tear-filled eyes was sitting and praying there. The place has an aura of its own.

There is just enough space to prostrate before the deity and to circumambulate. You look around for his consort, Goddess Lakshmi, and you shrink at the sight of a headless figure nearby! When I expressed my shock and disappointment, Chi observed, “The bad people caused all the destruction.”